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Your Guide in Central Asia

  
  
  

Samarkand-Heart of the Great Silk Road

 


The ancient town of Central Asia has a huge and ever changing history but remained a very charming and green city until our recent days.

We would like to show you our Samarkand, its quirreling life, the historic sites, the bazaars and the modern city, the second one after Tashkent.

samarkand1Samarkand (1991 pop. 395,000) is one of the oldest existing cities in the world and the oldest of Central Asia. At the time of its greatest splendor medieval Samarkand was a fabulous city of palaces and gardens, with paved and tree-lined streets and a water system that supplied most of the individual houses. It had great silk and iron industries and was the meeting point of merchants' caravans from India, Persia, and China. 

In 1868 in Samarkand was founded a small enterprise for the production of winesand in four yearsthe wine was awarded with gold and silver medals in the international competition in Paris and Antwerpen.Since then wines and cognacs recieved over 36 awards and medals .And you are welcomed to tasting room.

Modern Samarkand still is a major cotton and silk center. Wine and tea are produced, grain is processed, and there are industries producing metal products, tractor parts, leather goods, clothing, and footwear. The irrigated surrounding region has orchards and gardens and wheat and cotton fields. Samarkand is the seat of the Uzbekistan state university and of medical, agricultural, and teachers' institutes and the site of a regional museum. 

You come as an individual or in a small group, so lets show you Samarkand the way few foreigners have seen it. Nightlife in Samarkand became exiting lately and after that you get a splendid hotel with breakfast. F or Samarkand we recommend you at least two days, what doesn't mean that here is'nt to discover that a month is not enough.

HISTORY AND MONUMENTS 

samarkand 2Situated in the valley of the river Zarafshan, Samarkand is the second largest city of Uzbekistan and is of the same age as the city of Babylon or Rome. The history of Samarkand is about 2,500 years old and has witnessed a lot of upheavals during the times of Alexander the Great, the Arabic Conquest, Genghis-Khan Conquest and lastly Tamerlane's. Hence, the culture of Samarkand was developed and mixed together with the Iranian, Indian, Mongolian and a bit of the Western and Eastern cultures. Majestic and beautiful city Samarkand has a marvelous and attractive power. Poets and historians of the past called it "Rome of the East, The beauty of sublunary countries, The pearl of the Eastern Moslem World". Its advantageous geographical position in Zarafshan valley put Samarkand to the first place among cities of the Central Asia. 

In 1404 Temur the Great ordered to build the mausoleum Guri-Emir (Tomb of Emir) for his loving grandson, Mukhammad Sultan. With time, the mausoleum became the family crypt of the Temurids dynasty. Majesty and lightness of architectural lines and shapes, richness of the multi-colored mosaic - all this makes the mausoleum a unique monument of Central Asian architecture. Next to Tamerlane, there are the graves of his sons Shakhrukh and Miranshakh and his grandsons Mukhammad-sultan and Ulugbek. There are two more Temurids tombs nearby: the Mausoleum Rukhabad, built for Sheikh Burhanuddin Sagharji in the 1380s and the modest-sized Mausoleum Ak-Saray built in 1470s for the last of Temurids. 

One of the holy sites attracting a great number of pilgrims is the memorial and research complex of the Islamic scholar and theologian Imam Ismail al-Bukhari. For a millennium, the whole Muslim world has had deep respect for Imam-al-Bukhari. His works are considered to be an achievement of theological thought, which ranks the second after the holy Koran in its value. This collection contains 600,000 hadiths entitled "Al-Jami as -Sahih" or "Sincere Book". The scholar's grave is located in a village not far from Samarkand. His tomb is a holy place attracting Muslim pilgrims. The complex is built on his tomb and includes Mausoleum al-Bukhari, a mosque and a library. 

The Registan was the heart of the ancient Samarkand. The word Registan means "a sandy place." It existed long before the Mongol invasion as a city trade and artisan square. It is the point of six roads, which ran from the city gates. From this very place to the strains of copper trumpets public criers announced citizens about new orders of the ruler. 

Under Tamerlane's rule the Registan became the city's square and during the time of Ulugbek it was adorned with majestic buildings. The entire group of buildings, including the madrassas, khanakas, mosques and caravan-sarais, was constructed during his time. 

Registan is surrounded from three sides with majestic buildings: Madrassa Ulugbek (1417 - 1420), Sher Dor (1619 - 1636), Tilla Kari (1647 - 1660). The Ulugbek Madrassa is the highest religious institution, a kind of university of the Middle Ages. In ancient manuscripts it was mentioned that Ulugbek himself taught mathematics. The Ulugbek Madrassa has its majestic portal with lancet arch facing the square. The corners are flanked by the high well-proportioned minarets, which were never used by muedzins, there were said instead to hold up the sky. 

Two monumental buildings were constructed in the 17th c. on Registan - Madrassa Sher-Dor and Tilla-Kori. They are distinguished by the imposing sizes and luxury of decoration, though in terms of the architectural value they nevertheless give away to their prototype, Madrassa Ulugbek.

The most considerable of all madrassas of the 17th c. is Sher-Dor which means "Building with lions". It was built for almost 17 years under the project of emir Yalangtosh, the Governor of Samarkand. Ten years later, during the same governor, the Madrassa Tilla Kori was constructed, closing Registan from the north. The name Tillya-Kori means "trimmed with gold". Madrassa Tilla Kori, apart from its primary goal (training students) executed the role of the main mosque. 

On the southeast slope of Afrosiab one of the famous ancient architectural ensembles of Samarkand is situated - the burial vault Shahi Zinda. It consists of eleven mausoleums, which were built one after another in the 14-15th c. Some of these buildings with blue cupolas, majolica on high portals, ornamented stone arches, ornaments of piles have been restored by the architects and folk foremen. 

The entrance portal of Shahi Zinda, which crowns the whole ensemble, is the latest construction.

The inscription on the portal says: "This majestic building is founded by Abdulazazkhan, son of Ulugbek-Guragan, son of Shakhrukh, son of Amir Temur - Guragan in 883" (1434 AD). Having mounted thirty-six steps of the ancient stairway, the visitor finds himself in an open gallery. Here on the left and on the right are situated the burial vault - mausoleums of Temur's close relatives, including his wife Tuman-aka and sister Shirin - bika-aka. The gallery finishes with a round yard with a vaulted arch. 

Under it on the right there is an ancient carved door, which leads to the most ancient construction of Shahi Zinda ensemble - mausoleum Kussam ibn-Abbas. He was declared "saint" for the sermon and setting up of Islam in Samarkand after its seizure by Arabs. The keepers of Shahi Zinda will for sure tell the tourists the ancient legend that Kussam ibn-Abbas who lived here, one day, after finishing the sermon, removed his own head from shoulders, took it in his arm-pits and hid through a narrow slot in a cave, where he is still living ostensibly nowadays. That is where the name "Shahi Zinda" which means "A Living King" comes. 

As a whole, the architectural ensemble Shahi Zinda represents a unique museum of glazed decor of the 14-15th c. One can find here glazed and carved terracotta, wonderful samples of the set mosaic, large mosaic made of glazed bricks. 

Another outstanding architectural construction of medieval Samarkand is the main mosque Bibi Khanum. Its construction began in 1399, after Temurs victorious campaign on India. The mosque had been constructed in five years. 

By Temurs plan the mosque Bibi Khanum was supposed to eclipse all that he saw in other countries. The architects, artists, foremen and craftsmen from many countries of the East were involved in construction. Two hundred stone-carvers from Azerbaijan, Fars, Indostan and other countries worked in the mosque and five hundred workers in the mountains near Penjikent, extracting and carving the stones and sending them to Samarkand. 

The construction was not yet completed, when Temur again set off for one of his campaigns. After returning to the capital, he went immediately to look on the new mosque. The grandiose buildings occupied a rectangular court yard of 130x102 meters. On its western side towered the main mosque, on the northern and southern - small mosques. The spacious internal courtyard was covered with marble plates and enclosed with covered gallery for devout. The entrance to the courtyard was designed as a high portal with two round minarets fifty meters high. The facade of the main mosque was also decorated with majestic portal with two minarets. 

The walls of all premises were richly decorated from outside with multi-colored glazed bricks which formed whimsical geometrical ornament and religious sayings. The magnificent and rich furnishing of internal premises consists of facing with glazed mosaic, carved marble and gilt patterns. However, Temur was dissatisfied by construction and in anger ordered to seize the nobles - Khoja Makhmud David and Muhammad Jeld, who were supervising construction. They were sentenced to death and hung up behind the channel Siab, at the foot of Chupanata. 

Ulugbek (Temur's grandson) ruled the country for 40 years. During his rule Samarkand became one of the scientific centers of world during the Middle Ages. In Samarkand Ulugbek created a scientific school, which untied outstanding astronomers and mathematicians. Ulugbek was the founder of the unique construction of the observatory (1428-1429).

There was a gigantic marble sextant there, its radius was 40.212 meter and the length of the arc is 63 meters. The instrument was made in all details and was very precise. It was used to determine the coordinates of the Sun, the Moon and other planets. Ulugbek created the astronomic catalogue "Stars Tables". The preciseness of Samarkand astronomers' observatory surprises, because they did not use any optical instruments, only their eyes.



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